Suff Studio

Showreel / Portfolio

Take a deep dive into the tracks, albums and live sessions that have been produced here at Suff Studio over the years

The Kites – Hello

(2024)
Heres and example of my indie recording and mix work.
I’ve worked with The Kites many times and they always bring something fresh and exciting to work with. Hello needed to sound modern, poppy and dancey but still very much and indie band. We achieved this by use of synths, subtle electronic drum samples and big harmonies alongside prominent guitars and drums with pulsing bass.
Recorded and mixed in 2024 by Matt Heap at Suff Studio.
Mastered by Grant Berry at Fader Mastering

 

Astoria – The Snow

(2024)
Heres and example of my indie recording and mix work.
Astoria are an indie-rock band but they like their productions to have ‘vibe’. This vibe was achieved through heavy use of effects such as delay and flanger to give it huge, wide, larger than life sound that gives you a little more than just loud guitars and heavy drums,
Produced, mixed and mastered by Matt Heap at Suff Studio

Hollins – She Said

(2024)
Here’s an example of my indie recording and mix work. Hollins are an indie band with strong influences in the ‘madchester’ movement so my goal was to bring some of that flavour into this production. I achieved this by bringing in some extra percussion layers and swirling effects alongside their funky wah wah guitars, upbeat piano and subby bass.
Produced, recorded and mixed by Matt Heap at Suff Studio in Lancashire
Mastered by Grant Berry at Fader Mastering.

The Macaws – See Me Running

(2024)
An example of some of my indie recording and mixing work. The Macaws are an indie-rock band with some punk sensibilites thrown in, so my goal was to give this production a bit more of an aggressive bite than your typical modern indie-rock band. We achieved this through thick layers of dirty guitars, crunchy drums and distorted vocals.
Produced and mixed by Matt Heap at Suff Studio

Rae – Oh No

(2023)
An example of my work in modern rock recording and mixing.
This track was brought in by the band after self-producing it themselves using programmed drums and amp similators. So the song was already there, and very good. My job was to record the instruments ‘proper’ and bring my production ideas to kick it up a notch. We replaced the drums with real drums recorded in my cool sounding live room, replaced the guitars and bass with multiple layers through big loud amps and refined the vocals to be slick and polished.
Recorded and mixed by Matt Heap at Suff Studio in Lancashire
Mastered by Grant Berry at Fader Mastering

Kill The Silence – Lost At Sea

(2022)
I work on a good mix of genres, but heres an example of my metal recording and mixing work. We made good use of my Peavey 5150 and Marshall JCM 800 on this record for ultimate hi-gain guitar tones.
Produced and Mixed by Matt Heap at Suff Studio
Mastered by Grant Berry at Fader Mastering

The Kites – Emily Emily

(2023)

Astoria – Dont Forget Me Now

(2023)
https://open.spotify.com/track/0VGECAmED6QjW9IZ7f6nUh?si=1985bc40fb814a57

Bad Ape – Dont Tell Their Mothers

(2023)
https://open.spotify.com/track/2AoWiHtTspDjh3jXxxUxGo?si=df4a4477e2ae4dee

Strangers – Something Else

(2023)